Today at NPC, I only had time to make it to the morning seminar with Shane Hipps, pastor and author of the excellent book The Hidden Power of Electronic Culture (which I highly recommend) and the recently released Flickering Pixels.

In his seminar, Our Nomadic Life: Undoing the Incarnation Using Nothing but Your Cell Phone, Shane gave a great overview of the shift from oral tradition (in which we needed the tribe to maintain our sense of narrative and identity) to the literate age (in which our words could be separated from ourselves) and, finally, to our current electronic age — a complex convergence of the two.

In our current electronic culture, we live in the following paradoxes:

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The Big Story

This morning, after dropping off our daughter at school, I rushed to get into James Choung‘s seminar at the National Pastors Convention, The Big Story: Sharing the Gospel in an Increasingly Unchurched Culture.  It was a full house and I’m glad, because this is a message churches need to hear.

James details challenged us to think of the Gospel as more than a “get out of hell free” card which, in the vivid words of Dallas Willard, results in “vampire Christians” who only want Jesus for His blood (drew quite a response from those in attendance). Instead, James encouraged us to think of the Gospel Jesus embodied and proclaimed — namely, the Kingdom of God.  To quote James:

The Kingdom of God: Where what God wants to happen actually happens

James describes three significant movements we need to make in our understanding of the Gospel and how we share it with others:

  • Individual > > Communal
  • Decision > > Transformation
  • After-life > > Mission-life

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At this morning’s main session at NPC, Rob Bell delivered a great message about forgiveness.  Skye Jethani has written a nice summary of Rob’s message over at Out of Ur.  Some brief observations:

Rob Bell is a total rock star.  Well, let me take that back — people treat him like a total rock star.  He doesn’t seem at all wrapped up in himself or looking for special treatment.  Before his message, I saw people crowding around him for photo ops.  In fact, during his message, people were snapping cell phone photos as he walked the aisles.  He even asked one photo snapper, in the moment, “Did you just take a photo of this shopping cart?” (which, incidentally, he used to great effect throughout his message).

Now that I’ve gotten that out of the way…

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Started day one of the National Pastors Convention here in town today.  A few quick observations:

I was deeply convicted by Efrem Smith‘s powerful message in the morning about speaking life into the hearts of those who despair.  In today’s haywire financial environment, it was a timely and necessary word.

The music from Ashmont Hill was fantastic.  I must admit, I was kind of worried that I wouldn’t know any of the songs because I had never heard of them before today.  I didn’t, but it turned out not to matter.  My wife often says that she thinks gospel music will be the soundtrack of heaven (and I agree).  Ashmont Hill combines elements of gospel, r&b and rock to great effect.

A personal highlight today was sitting in on a seminar by Robert Gelinas — better known as Jazz Theologian.  Robert shared some great insights into what a jazz-shaped faith might look like in our churches today (quick note: it’s not so much about the music, but the ethos).  Building on the keynotes of syncopation, improvisation and call & response we can build vibrant, listening, covenant communities of life. I’m still trying to wrap my head around the analogy of pastoral leadership as jazz drumming. Robert’s book, Finding the Groove: Composing a Jazz-Shaped Faith, will be released this week at NPC.  Can’t wait to read it!

One small regret:  I wish I could’ve gotten one of those snazzy, “Walk and not be faint” walking club t-shirts!

How does one calculate the awesomeness of this video?

A sampling of the Petrified brilliance contained therein:

  • 00:05 – Thank you, sign man, for the warning:  “Danger… you’re about to enter a whimsical rock world of high kicks and hot licks.”
  • 00:25 – Quick cut to the drummer wearing a florescent pink painter’s cap with the brim turned up, open mouth grin and double drumstick twirl.
  • 00:30 – Dramatic black & white shot of the keytarist’s silhouette.
  • 00:47 – Wait!  Can you handle the rock?  Is your face melting?  Is your heart still beating?  Yes?  Good.  Let’s continue.
  • 00:56 – The Carlton.
  • 1:10 – We just want you to know that we’re not always serious, “message” rockers.  I mean it: this isn’t even a guitar (it’s a wood plank) and that mic he’s singing into?  It’s a drumstick!
  • 1:50 – Old timey judges rule.
  • 2:10 – Let me illustrate the meaning of the chorus here.
  • 3:11 – That face-melting solo couldn’t just be the work of two hands, could it?