Archives for category: art

I had the chance to meet up with DJ Chuang yesterday. It is fun to see social networking actually build community and friendships. It was great to get to know him more and pick his brain about a number of topics. We had a nice laugh over the way bloggers might be more likely to recognize one another by their site names than by their actual names. It makes me glad that I didn’t name my site “big nerd” or “xX1004QTaZnKimchigAngstaXx” (those of you in Asian American youth ministry know what I’m talking about).

After meeting with DJ in OC, we ventured out to LA — where we met a friend at the Giant Robot store. GR is probably best known for their magazine, which has covered Asian American pop culture since 1994. Being a fan of the magazine, I was excited to visit their Los Angeles store.

Maybe I had built it up too much in my mind, but when I first entered the store I was a little bit disappointed. To me, it was a little bit too small and a little bit too crowded. We bought our daughter a little Doremon keychain and went to meet our friend at the Giant Robot restaurant, gr/eats. (which, as Jonathan Gold has written, is a great place to eat with little ones).

Being a t-shirt junkie, I went back to the GR store after dinner and — after much deliberation with my daughter — picked up this shirt (and, no, that’s not me in the photograph). It was strange, but returning for a second visit left a very different impression on me. Maybe it was the tasty french fries I had just eaten at gr/eats (shoestring potatoes, yams and bananas) but the second time, in this case, was the charm. Actually, I think it was because the store was pretty empty and I was able to interact with the people working there — we talked about different magazines, music, and they helped my daughter find just the right Uglydoll (which she has since renamed “Sleeping Beauty”).

Community is such a funny thing. We find it in the most unlikely places — even the quickly disappearing indie record store. Whether it is connecting over common interests and life pursuits, sharing a nice meal together or helping someone sift through an entirely too large pile of Uglydolls, we are made to connect with one another.

Over the last couple of years, I have been drawn more & more toward the modern design aesthetic. I definitely want to live in a space that is comfortable and inviting — modernity has been caricatured for being cold and outlandish (think: the oddball Schoeners sketch from Saturday Night Live featuring Fred Armisen and Maya Rudolph as strange Euro ultra-mods). I think I am drawn to the simplicity, clean lines and serenity the best of modern design and architecture can evoke.

algue.jpg

What I took away from the film Soylent Green was not the socio-political commentary about class, age or the environment — no, my takeaway was an abiding love for this chair, featured briefly in one of the apartments from the film. In fact, to this day, although its proper name is the Barcelona chair I insist on referring to it as “the Soylent Green chair.” However, being able to afford even a “cheap” knockoff is kind of a pipe dream on our limited budget, so we have been forced to find creative ways to express our design aesthetic.

Recently, we have turned our attention towards creating some interest on our wall space. Blik is a great source for vinyl wall graphics — affordable and easy to install. Back in OC, we paired the blik Fly design with an accent wall we had painted a deep shade of aqua to dramatic effect (picture this image, but in reverse). We had been considering a couple of whimsical designs for our current place: the blik Zipper (vaguely reminiscent of Michael Jackson’s Beat It jacket) and Me, Myshelf and I (fake bookshelves, complete with fake book & vase graphics). In the end, though, both designs are a little bit too smirky or hipster-ironic for our tastes.

We did, however, recently install a small DIY art project that we picked up at My Own Space in La Jolla. The seaweed-like design above is called Algue, created by Ronan & Erwan Bouroullec. As highbrowfurniture describes, “Algue is interlocking plastic ‘branches’ that can be easily assembled to create web-like wall hangings, freeform sculptures, organic scrims or dramatic room dividers. You become your own designer!”

We had some good friends stay with us this past weekend, and their five-year old daughter asked my wife what was hanging on the wall. Here is an approximate recap of their conversation:

Child, pointing at the Algue hanging on the wall: Eemo (aunt), what’s that?

Adult: Well, you know when you go into the ocean, there’s seaweed. It’s supposed to look kind of like that.

Child: (Silence. Confused expression.)

Adult: It doesn’t look like that to you?

Child: (More silence. More confusion.)

Adult: Well, it’s art. It can look like whatever you want it to look like. That’s what art is — you get to decide what it means.

Child: (Further silence. Extreme confusion.)

Adult: It’s seaweed.

Child’s father, shouting from a distance: Are you trying to teach my daughter about art?!

We ended up choosing the white Algue to hang on our white walls. Reminds me of the scene in Spinal Tap, where Nigel Tufnel looks at the edited cover of their new album (which replaced the horribly offensive cover “art” with an all-black cover) and asks, “It’s like how much more black could this be? And the answer is none, none more black.”

The artists from Mothership have produced a breathtaking public art installation in Rotterdam. In their own words:

On May 14th 1940 the city of Rotterdam was bombed. The bombs and especially the fire that followed reduced its centre to smoldering ashes.

Already during the war it was decided that the destroyed buildings wouldn’t be rebuild, but that Rotterdam would be turned into a new, modern city.

For Rotterdam 2007 – City of Architecture, the border indicating the destroyed area will be marked with huge spotlights. Each light has a capacity of 7000 watts. The invisible border will be shown in a spectacular way!”

[h/t: Notcot]

This project immediately call to mind the “Tribute in Light” project in New York city, in which artists created two towers of light from a cluster of searchlights where the fallen towers once stood.

These projects bear silent witness to the symbolic power of light that cuts through darkness. They inspire hope, even wonder, in their viewers. Could this be what Jesus meant when talked about cities and hills, and lamps and bowls? Sometimes, we reduce the idea or “shining” for Jesus to that one Sunday a year when we roll out the little ones in front of the congregation to sing “this little light of mine.” Sometimes our light is more like that of an overzealous police officer holding a Maglite at head level and peering menacingly into the law-breaking sinner’s car: “Do you know why I’ve singled you out tonight, sir?” says the Christian SWAT team.

What if our light cut through darkness, offering a breathtaking glimpse into the kingdom, inspiring hope and wonder at the sight of such life within us?