Archives for category: art

While it certainly remains to be seen whether this concert can initiate any positive change — either within North Korea or for US/NK relations — the New York Philharmonic’s concert in North Korea on February 26th was historic as it represented the largest group of American citizens to set foot on North Korean soil since 1953, the end of the Korean War. In many ways, music transcends, permeates and changes cultures, but the totalitarian North Korean regime leaves me little hope for genuine change. Yet, despite my weary cynicism, it’s hard not to be moved by the New York Phil’s beautiful rendition of the Korean traditional, Arirang.

Today, I heard an interview with Lorin Maazel, conductor of the NY Phil, on Fresh Air. Towards the end of the interview, Terry Gross asks Maazel about techniques he uses for reducing tension as he conducts. Not only is his comment remarkably humble for such an accomplished person but his approach, I believe, could greatly benefit those of us in vocational church ministry:

Then you say to yourself, What I do is of no importance whatsoever. I am here as a servant. If I am nervous, it means that I think what I am doing is important. That is an egocentricity which no interpreter can allow himself the luxury of. You’re there to serve the music and you have to be in the best position, psychologically and physiologically, to do so. Which means no tension, no nerves — Yes, exhilaration; yes, enthusiasm; yes, focused energy — but no nervousness because that is counterproductive.

How easy it is, especially in an Asian American setting (where the pastor might be seen by some as a stand-in for a shaman), for church leaders to get carried away with themselves and their own significance.

Isn’t that part of the problem with attractional, event-oriented approaches to church? If my sense of success or failure depends on how well I go over at the big show, then there’s no joy — not for me or for anyone unlucky enough to be there. There’s music, all right — but it’s a praise chorus to me, not an invitation to dance to the heartbeat of God together. While big events do have their place in the spectrum of life and ministry for the people of God, I join with Once A Youth Pastor in asking whether the downside outweighs the benefits [h/t: Marko for highlighting this blog].

Like a good Presbyterian, I believe that the church must truly preach the Word of God and rightly administer the sacraments — so, in that sense, what pastors do every week is something important — but the temptation to blur the lines between the messenger and the Message is so great that the pulpit can easily exalt the person behind it and not the Word of God on top of it.

Maazel’s quote paints such a lovely picture of what church ministry could be — exhilarating, enthusiastic, joyful — if we would be so consumed by the Music that we could honestly stand in front of others and serve as an interpreters without ego.

While I know very little about the graphic novel world (Didn’t we used to call them comics? I kid, I kid… please direct all angry fanboy mail to my publicist), I was very excited to read about American Born Chinese.

In ABC, the first graphic novel to be nominated for a National Book Award, Gene Luen Yang tells the story of three different characters: a Chinese American boy, the Monkey King and “Chinkie” – not the Bay Area ska-punk sensation The Chinkees, but a character amalgamated from exaggerated Chinese and Asian stereotypes. It is truly disturbing to hear that some people have actually told Yang they think that the Chinkie character is “cute.”

NPR has put together a great audio slide show of selected panels from ABC, in which he talks about his background as an author and the social/historical setting of this book. Watching the slideshow of panels from ABC and hearing Yang’s narration transported me back to my days of growing up in a predominantly white school. In particular, his words about struggling with his shame over his parents’ culture struck a familiar chord with me. I’m not sure what it is, but graphic novels such as Persepolis or Maus are able to evoke emotions in a way that other media cannot.

While this book deals specifically with the Asian American experience, there is something universal in the themes of dealing with shame and discovering identity, as Yang expresses at the conclusion of his narration. You can find a longer interview with Gene Luen Yang on the Bryant Park Project here (click on the “listen now” link near the top of the page).

** Edit: Looks like NPR is on a roll here — Terry Gross interviewed Adrian Tomine on Fresh Air today about his graphic novel, Shortcomings, a story about race, identity and love. Check out the interview with Tomine here. A New York Times review from November 2007 says:

Unlike the more playful graphic novelists who influenced him, Daniel Clowes (“Ghost World,” “David Boring”) and the Hernandez brothers (“Love and Rockets”), Tomine isn’t given to flights of surrealism, rude jests or grotesque images. He is a mild observer, an invisible reporter, a scientist of the heart. His drawing style is plain and exact. The dialogue appearing inside his cartoon balloons is pitch-perfect and succinct. He’s daring in his restraint.

Do you have loved ones for whom it is virtually impossible to buy just the right gift? Well, look no further than this Icelandic beard hat by Vik Prjonsdottir. You can thank me later.

Speaking of wonderful things from Iceland… the latest release from Sigur Ros, Hvarf/Heim, would be a fantastic addition to any loved one’s music collection. One studio disc, one acoustic disc — all beautiful and breathtaking. Or, for those on your truly nice list, pick up their film, Heima. Even the three-minute trailer below is crushing in its beauty.

Just thought I’d share an excellent song & video from the band +/- (plus minus). This band includes members of Versus, who were part of the original Ear of the Dragon tour back in the day. And, even further back in the day (back in the day-er?), I went to high school with some of the band members. +/- has an indie/electronica vibe but they are no Postal Service knockoff; they’ve been around since 2001. This video won an award at last year’s San Diego Asian Film Festival.

San Diego Asian Film Festival

Speaking of which, this year’s SDAFF is coming up in October. Not sure if I can make it, but the film festival schedule looks fantastic. Of particular interest to me are Air Guitar Nation and West 32nd.

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As an aside, I love the +/- website address: plusmin.us — sort of like del.icio.us. I get a kick out of these domain hack web addresses. In addition to the corny humor, sometimes these sites just make sense. For example, whocalled.us is pretty much what it sounds like. According to their site, a person would visit when, “The phone is ringing, and I don’t recognize the number. All Caller ID says is, “NAME UNAVAILABLE”. Please help me figure out who is calling and what they want.”

In honor of the Labor Day weekend, I thought I would share some thoughts on traveling. I think I really enjoy shows like Globe Trekker and No Reservation with Anthony Bourdain because they allow me to do my vacationing vicariously — neatly edited with a snappy soundtrack, with none of the hassle, humidity or jetlag I might encounter should I actually travel to any of these far-flung locales. A nice vacation in my book would involve a lot of lazing around the beach, chocolate ice cream soda in hand. There are a couple of place, though, that I would like to see in person.

An icon of modernity, Philip Johnson’s Glass House, opened to the public for tours this past spring — and quickly sold out until 2008. For me, the Glass House has a particular resonance because it reveals that modern design and nature must not necessarily conflict, but can exist in harmony. Imagine the view from inside the house — a year-long cinema of the wonders of God’s creation. Architecture and design can have an impact beyond being aesthetically pleasing. This article, “Mississippi Turning,” from Dwell magazine shows how architecture and design has inspired hope and restoration for one community hit hard by Hurricane Katrina.


If I could book a quick architecture/design vacation, I would also visit the Nelson-Atkins Museum of Art in Kansas City, Missouri to see the new Bloch buildings there. Like the Glass House, these new buildings symbolize a kind of beautiful convergence — in this case, of classical and modern architecture. From the New Yorker [read the full article, “Lenses on the Lawn,” here]:

Its boldness is no surprise, but, in addition, it is laudably functional, with a clear layout, handsome and logically designed galleries, and a suffusion of natural light. Furthermore, Holl’s five glass structures, punctuating the hill, don’t mock the old building as you might expect; they dance before it and engage it.

I love the idea that the new must not necessarily push out or reject the old; sometimes, the new can revitalize and reinvigorate the old. I am sure the are theological and ecclesial implications but I will explore those another day. I also appreciate that many have commented on how the new buildings do not compete with but, rather, complement (and even perhaps enhance) the art pieces they house.

Have a happy Labor Day weekend. Please, stay hydrated!