Perhaps because the stakes are so high, or maybe because we just like to fight, this November’s historic election cycle has elicited some very strong, emotional responses among Christians of various political persuasions.

I believe that followers of Christ should be engaged in the political process in meaningful ways rather than withdrawing into our own insular dreamworld while, at the same time, recognizing that our ultimate hope is not in a particular politician or the political process.  The idea of being part of the already but not yet Kingdom certainly creates tension for any of us who want to live out our faith missionally into our culture.

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A slightly tangential thread came up from a post Eugene Cho wrote recently about the Spanish basketball team and their slanty-eyed “affectionate” tribute (thank you, Pat Forde at ESPN for calling them out as buffoons not only for doing this in the first place but also for their response in your post-Olympics wrap-up; see #26) about the difference between forgiveness and reconciliation.

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My latest television watching obsession, other than the Olympic coverage of Korean team handball and America’s Best Dance Crew (big ups to SuperCr3w!), has been JCTV.

JCTV (yes, apparently, it’s Jesus’ television) is a channel started up by the folks at TBN (yes, that TBN) to reach the “extreme” generation. Or something like that.

I’m not 100% sure why I keep on watching. It’s not that I enjoy the videos or programming (lots of old school skateboarding, loud music videos and, for some reason, an almost endless loop of something called “Cruise for a Cause”). And it’s not because I’m mocking it, although I do have some skepticism about it. I think it’s because I’m trying to figure out why JCTV exists.

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The Olympics are about the bringing the world together in perfect harmony, right? Maybe that was just an old soda commercial.

I have definitely been enjoying these Olympic games — in fact, I might be watching too much. The other day, my daughter identified the Chinese flag without prompting. And she’s never studied flags or nations or anything of the sort in her five years of life. It must be from all the handball, fencing and table tennis I’ve been watching.

The Olympics are supposed to bring us together, to provide a literal playing field upon which nations can come together and forget their differences. And yet, as the headlines of reality remind us, nations still continue to sabre-rattle, posture, provoke and invade one another. Even within the games themselves, we are reminded — despite Visa’s best advertising efforts (“Go World,” to which we respond, “Go where?”) — that we still have a long way to go in understanding one another. A very long way.

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Some of my favorite music comes from the late 80s/early 90s. The whole DC/Dischord movement was highly influential not only for the music, but for the ethic (see an article I wrote with Jason Evans over at the Ecclesia Collective site, What Would Ian Do?).

Indie labels like Merge (current home of Arcade Fire), Caulfield, Simple Machines, Gravity and Touch and Go documented regional scenes from far-flung places across the country — allowing a land-locked Michigander kid, like myself, to be connected in some way to places like Chapel Hill and San Diego in the pre-internet Stone Ages.

For my birthday, I just purchased an old album by seminal Louisville powerhouse Rodan. After all these years, it still sounds amazing! And, I finally picked up that Sonic Youth shirt I’ve had my eye on! Happy mid-90s indie rock birthday to me, indeed!

At the end of August, one of my favorite noise-rock bands from back in the day will be playing in SD — the mighty Polvo has reunited for a short summer tour. While I would like to catch this show, it does make me wonder about all of the reunion shows that are happening.

Coachella has practically become a “Name That Reunion” event [h/t: Brooklyn Vegan for compiling a nice list of Coachella reunions shows here]; the “Don’t Look Back” series from All Tomorrow’s Parties has bands performing entire albums of vintage material. When does one cross the line from nostalgia into blatantly cashing in? And does the Spinal Tap performance from Live Earth count as part of this trend?