
Race, Politics, Family
Back in October, we went to see Mo’olelo Performing Arts Company’s production of Yellow Face, by David Henry Hwang — the Tony-award winning playwright behind M. Butterfly.
I’m a bit of a cultural Philistine, so I don’t make any claims to understand much about theater, but I really enjoyed this performance. Yellow Face is a semi-autobiographical, postmodern take on race, identity, family and artistic integrity. You can read a bit more from Mo’olelo here.
I appreciated David Henry Hwang’s use of humor throughout the play, given the intensely personal nature of the ground he was covering. Discussions about race, politics, family, art, etc. can quickly become glum affairs. The quick pace of the dialogue, the multimedia backdrop (see a few photos here), and the interweaving of fact and fiction held my attention throughout.
Yellow Face raises many important questions: How much of our identity (our “face”) do we choose? How do we understand race and identity in our ever-changing culture? Do our parents’ dreams eventually become ours?
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